I started writing Outlaw in 2002, and finished it in 2005. During that time, I discovered the band British Sea Power, and particularly their first album, the brilliantly titled The Decline Of British Sea Power.
I played that album hundreds of times while writing Outlaw. It had the epic sweep I wanted the book to have; the same combination of darkness and hope. I would always feel electrified by the surge and crackle of their songs, which often seemed to be on the edge of spiralling out of control - as you can see in this amazing video of them playing live on Jools Holland.
But old habits die hard, and I have to admit, I also listened to a huge amount of The Cure while writing Outlaw. This time, it was mainly their Disintegration album, which remains my favourite of theirs. To answer an interesting question on my earlier post, I would pick the spine-tingling 'Plainsong' as the music I imagine when Varjak and Sally Bones are on the tower at the end - perhaps not the battle itself, but the moments just before it.
The live version in this video is great, but if you want to hear the original version I heard while writing, you can listen to it on Spotify, where I've made a playlist with a few other tracks that I put on a CD for Dave McKean, when he was doing the illustrations...
